Crafts and Makers: Sumer and Akkad
A ten‑minute look at the artisans who shaped early Mesopotamian life—metalworkers, weavers, potters, and scribes—and the objects that reveal their skill.
Chapters
- 0:07 Weaving and Textiles
- 0:31 Metalworking and Ornament
- 1:58 Pottery and Storage
- 4:04 Writing, Scribes and Administration
On-screen text
- 0:07 Weaving and Textiles
- 0:14 Weaving and Textiles
- 0:22 Early loom weight from Uruk Historical record · Excavations at Uruk, 1928–1931 (Levantine Museum, London)
- 0:31 Metalworking and Ornament
- 0:38 Metalworking and Ornament
- 0:55 Copper mace of Naram‑Sin Historical record · Copper mace of Naram‑Sin, Louvre Museum (AO 1975)
- 1:13 Bronze sickle from Tell al‑Ubaid Historical record · Bronze sickle from Tell al‑Ubaid, Iraq Museum
- 1:31 Organized copper workshops The Institute's interpretation · J. N. Postgate, “Early Mesopotamian Metallurgy” (1977)
- 1:49 Gold‑electrum diadem Historical record · Gold and electrum diadem from the Royal Tomb of Ur, British Museum (BM 124674)
- 1:58 Pottery and Storage
- 2:05 Ur, Royal Cemetery, c. 2600 BC
- 2:33 Early Dynastic Ur, c. 2500 BC
- 3:01 Storage jars line the granary, Ur, c. 2500 BC The Institute's interpretation · J. A. Ur, “Form and Function in Early Mesopotamian Pottery” (2005)
- 3:28 Ur, market district, c. 2500 BC
- 4:22 Gudea’s temple inscription Historical record · Gudea cylinders, Louvre Museum (AO 1975)
- 4:40 Sargon’s workshop inscription Historical record · Stele of Sargon of Akkad, National Museum of Iraq
Sources
Historical record: Excavations at Uruk, 1928–1931 (Levantine Museum, London) · Lapis lazuli beads from the Royal Tomb of Ur, British Museum (BM 124673) · Copper mace of Naram‑Sin, Louvre Museum (AO 1975) · Bronze sickle from Tell al‑Ubaid, Iraq Museum · Gold and electrum diadem from the Royal Tomb of Ur, British Museum (BM 124674) · Royal Cemetery of Ur, artifacts in the British Museum (BM 124671) · Cylinder seal of a potter, Early Dynastic, British Museum (BM 129101) · Cuneiform tablet from Uruk, Early Dynastic, Vorderasiatisches Museum Berlin (VA 331) · School tablet from Nippur, Ur III period, Oriental Institute (OI 117) · Gudea cylinders, Louvre Museum (AO 1975) · Stele of Sargon of Akkad, National Museum of Iraq
The Institute's interpretation: M. J. Oates, “The Early Dynastic Textiles of Mesopotamia” (1992) · J. N. Postgate, “Early Mesopotamian Metallurgy” (1977) · J. A. Ur, “Form and Function in Early Mesopotamian Pottery” (2005)
Sound: synthesized ambient (wind, drone, water) (CC0 — made by SoapBox). Made in 154 s of CPU.
Scenes Hathor has no parts for yet (13) — the next things to make
- A Sumerian workshop with a weaver operating a vertical loom beside a loom weight.
- Caravans loading bundles of wool cloth onto carts.
- Caravans loading bundles of wool cloth onto carts.
- Jeweler setting blue beads into a necklace.
- Jeweler setting blue beads into a necklace.
- Jeweler setting blue beads into a necklace.
- Jeweler setting blue beads into a necklace.
- Wide dusk view of Ur’s skyline; domed granaries and pottery workshops glow softly, shards glinting on the ground as night falls.
- Scribe inscribing on a clay tablet while merchants discuss.
- Writing, Scribes and Administration: Reveal how cuneiform tablets recorded economic activity and how scribes were trained and employed by the state.
- Scribe inscribing on a clay tablet while merchants discuss.
- Scribe inscribing on a clay tablet while merchants discuss.
- Young apprentices copying signs on clay tablets under a master.