Crafts and Makers: The Indus Cities
A ten‑minute visual journey through the artisans, metalworkers, weavers, potters and scribes who built the thriving Indus urban centers.
Chapters
On-screen text
- 0:07 Metal Mastery
- 0:14 Metal Mastery
- 0:31 Bronze dancer reveals advanced metallurgy Historical record · National Museum, New Delhi – Bronze Dancing Girl (c. 2500–2000 BCE)
- 0:49 Clay furnace for copper smelting Historical record · Harappa excavation report, Sir John Marshall 1925 – copper smelting furnace
- 1:07 Bronze tools alloy composition The Institute's interpretation · R. Meadow, *Metallurgy of the Indus Valley*, 1992
- 1:25 Tin import for bronze The Institute's interpretation · M. Allchin, *The Archaeology of Early India*, 1995
- 1:34 Weaving and Textiles
- 1:41 Weaving and Textiles
- 1:58 Cotton threads in textile fragments The Institute's interpretation · J. M. Kenoyer, *Ancient Cities of the Indus Valley*, 1998
- 2:16 Pottery and Trade
- 2:23 Pottery and Trade
- 2:40 Red‑slipped pottery with motifs Historical record · Mohenjo‑daro pottery, British Museum – Red‑slipped ware, 2600–1900 BCE
- 2:58 Painted ceremonial pottery The Institute's interpretation · S. Possehl, *Indus Civilization*, 2002
- 3:07 Grid streets aid craft distribution Historical record · Mohenjo‑daro city plan – UNESCO World Heritage Site
- 3:16 Writing and Administration
- 3:23 Writing and Administration
- 3:40 Steatite seal imprinting Historical record · Steatite seal, Mohenjo‑daro – Museum of Asian Art, Berlin, 2500 BCE
Sources
Historical record: National Museum, New Delhi – Bronze Dancing Girl (c. 2500–2000 BCE) · Harappa excavation report, Sir John Marshall 1925 – copper smelting furnace · Spindle whorl, Harappa – National Museum, Karachi · Carved carnelian bead, Mohenjo‑daro – British Museum, 2500 BCE · Mohenjo‑daro pottery, British Museum – Red‑slipped ware, 2600–1900 BCE · Standardized copper weight, Harappa – National Museum, New Delhi, 2500 BCE · Mohenjo‑daro city plan – UNESCO World Heritage Site · Steatite seal, Mohenjo‑daro – Museum of Asian Art, Berlin, 2500 BCE
The Institute's interpretation: R. Meadow, *Metallurgy of the Indus Valley*, 1992 · M. Allchin, *The Archaeology of Early India*, 1995 · J. M. Kenoyer, *Ancient Cities of the Indus Valley*, 1998 · J. P. Joshi, *Craft Specialization in the Indus Valley*, 2008 · S. Possehl, *Indus Civilization*, 2002 · R. Singh, *The Indus Script and Administration*, 2015
Sound: synthesized ambient (wind, drone, water) (CC0 — made by SoapBox). Made in 77 s of CPU.
Scenes Hathor has no parts for yet (14) — the next things to make
- A woman turning a spindle, thin cotton yarn winding onto a simple loom.
- A woman turning a spindle, thin cotton yarn winding onto a simple loom.
- An artisan steadies a carnelian bead while a bow drill creates a perfect hole.
- An artisan steadies a carnelian bead while a bow drill creates a perfect hole.
- A district map highlighting separate zones for metalworkers, potters, and bead‑makers.
- A merchant uses a set of copper weights on a balance to weigh grain.
- A merchant uses a set of copper weights on a balance to weigh grain.
- Aerial view of the city’s orthogonal streets with carts transporting pottery and metal wares.
- A seated official carving symbols onto a seal while apprentices sort sealed parcels.
- A seated official carving symbols onto a seal while apprentices sort sealed parcels.
- A merchant uses a set of copper weights on a balance to weigh grain.
- A merchant uses a set of copper weights on a balance to weigh grain.
- A district map highlighting separate zones for metalworkers, potters, and bead‑makers.
- A district map highlighting separate zones for metalworkers, potters, and bead‑makers.